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REVIEWS

`They wed their hard - earned grasp of folk, blues and jazz with a mainstream sensibility that results in tracks with the delicacy of Pentangle harnessed to the pop suss of Fleetwood Mac.`

Mojo Magazine, UK

`Real critical credibility can only be garnered by singling out complete newcomers for greatness.
Equation fall firmly into that category`

`Equation`s Hazy Daze [is] an arresting blend of lyrical deftness, folksy instrumentation and haunting melodies which brings to mind The Cranberries and even Fairport Convention, but Equation are possessed of a distinctive sound which deserves a wider audience`

Sunday Express, UK

`Elegant and crafted`

Q Magazine, UK

`There is a freshness about Equation`s debut that recalls the golden era of the classic Sandy Denny /Richard Thompson line-up.`


The Times, London

`Songs like `Sister` and `Clueless` make your stereo feel special and wanted`


Time Out, UK

`If you`re looking to plug into music`s next big thing, Equation is the place to start`

What`s On, UK

`Equation look set to be bigger than the Cranberries`


Elle Magazine, UK

`Equation have opened a door on quality listening. Step inside`


T. Times, UK

`They`re young, they`re beautiful and you get the feeling that if they didn`t exist the music world would have to invent them`


Rock `n` Reel, UK

`If you like the Cranberries, but think that - after the success of Zombie - Dolores O`Riordan descended into annoying self parody, then Equation are the band for you`.

Sunday Times, UK

 

 

`Primed as crossover artists, Hazy Daze shows Equation are hideously well adjusted. The band`s appeal is a long term one, not built, as many are on the fickle sands of pop fashion`

The Big Issue, UK

`Bright, tuneful, intelligent and soulful.............a sound that recalls early REM, The Cranberries and Fairport Convention`

Acoustic Guitar, San Fransisco

`The group`s casual virtuosity and beautifully constructed songs are a joy to hear....a winning debut.....highly recommended`


allmusic.com

..... a musical style that`s fresh, tasty and mouth watering......a delicacy that you`ll be serving again and again`

Crossroads, USA

`This CD is filled with lyrical, well-crafted songs that have earned them comparisons to Indigo Girls and Fleetwood Mac.....they are impressive!`

The Connection Magazine, USA

"Proudly wearing the apparent influence of such diverse bands as 10,000 Maniacs, Fleetwood Mac and the Cranberries, "The Lucky Few" shows the Devon, England-based band sharpening the deft, evocative songwriting skills displayed on its critically lauded 1998 debut, "Hazy Daze". If you were among the fortunate to catch the band on its brief concert trek two years ago, then you will delight in the fact that "The Lucky Few" carries the more stark, fluid tone of the act`s live sound.

If you haven`t been exposed to this fine band yet, then you will be drawn immediately into its poetic fold. The set-opening "Not The Man" is particularly potent, with its jittery rock guitars and front woman Kathryn Roberts` smoky, quietly assertive vocals.

From there the listener is taken on a journey into lush pop ("Too Much To Say"), introspective folk-rock ("Sheffield Park") and radio-ready balladry ("Autumn Tune").
A tasty feast for listeners craving music that requires a sharp mind and an open heart."

Billboard Magazine, USA

 

"This West Country folk-pop combo are direct descendants of Fairport Convention but instil a very `90s take on traditional rustic noodlings. At times they sound as if they might have come straight out of Tennessee`s Smoky Mountains and lead singer Kathryn Roberts has more than a hint of the very delightful Nathalie Merchant. Top tracks include Not The Man and the excellent Picture The Change. Get lucky punks."

The Daily Mirror
London

"Impressive"

MOJO Magazine

"New album The Lucky Few sees The Prize, Too Much To Say and especially the poppy Picture The Change continue along Hazy Daze`s rootsy Fleetwood Mac path, upping the electric guitar punch for Not The Man and No Change Likely while the likes of Sheffield Park, Mother and Child and the fiddle dominated Squeeze + Hide reclaim an air of their tradfolk origins.....they deserve to speed down the fast lane".

What`s On magazine, UK

".........from the opening urgent riffs of the first track Not The Man this drum and guitar - driven belter sets the standard of what is to follow. The artistic alchemy of the band sizzles this is folk roots to rock with attitude. Breezy originality that seems richer each time you listen.......It may be mathematically impossible but when it comes to marking the delights of The Lucky Few it deserves eleven out of ten."

T-Times, UK

"The Lucky Few, instantly appealing, gets better on repeated aquaintance.....Too Much To Say, with it`s glorious hookline, is only one of three or four tracks hinting at chart potential."

Daily Telegraph, London, UK

 

"The opening track Not The Man weighs in with a heavier sound than anything on the first CD, awash with harmonies and driving rhythm guitar it brings Equation close to a sound that`s somewhere between the Fairports and Richard Thompson.
The Prize is recognisable from live performance and the recorded version with vocals weaving in out of each other, subtle harmonies and Kathryn in "breathy" mode is like a Hazy Daze track but there`s more `flesh on the bone`.It`s probably Seth helping out on vocals on Picture The Change, with some neat tempo changes and No Change Likely that gets them to their heavier sound evident at the gig at the Amphitheatre, South Shields recently, again using that gritty, grinding rhythm guitar as on Not The Man with a very tasteful, simple solo. Sheffield Park went down a storm at the Amphitheatre and the song switches Equation into a more traditional mode. This is carried through to the beautiful ballad Hard Underground.

A Better View brings back electricity, it`s got an almost `country` sound and is the only track where Sean and Seth really let loose.All in all The Lucky Few is an album you can stick on your player and you won`t have to bother pressing the remote to skip any tracks, take a relaxing hour out of your life and listen to a band who, not only on this evidence but also their live performances, are about as good as it gets in the world of English folk/celtic/rock crossover music. It`s a real contender. Get them on Jools Holland and they`re made."

Get Rhythm magazine, UK

"Beautifully crafted and exquisitely executed The Lucky Few is a fresh, uplifting, quality album in stunning designer packaging.
While the folk-rootsy vibe permeates all eleven tracks, this is a wonderfully diverse collection of songs giving a real taste of Equation's great live sound.

There are delightful airy love songs, like the melodic Autumn Tune and Paper Bag, which are about the bands love affair with Devon. Picture The Change and Too Much Too Say are powerful punchy pop tracks in the Fleetwood Mac/Corrs vein. The electric guitar - lead opener Not The Man, is really quite rocky, while A Better View has a Little Feat, West Coat vibe.Equation are fast gaining a reputation as the most exciting and accomplished pop-folk crossover band in the land and will soon be a name on everybody's lips".


Western Evening Herald, UK

First Name Terms
Time spent in the US over the past few years has had a discernible influence on the song-writing offered within Equation's latest studio album, ‘First Name Terms’. Many long hours travelling and listening to the diverse radio stations America has to offer has infused our 12 new original songs with a peculiarly, uniquely West of England - style Americana!

From the ghostly life-story of 'Clare', to a classic tale of revenge in 'Jack and Suzanne ', each song tells it's own neat story. The tracks hurtle from the acid-bluegrass romp that is 'Full Speed', to the warm, intimate front-room ambience of 'For Carrie ', the words of which offer gentle reassurance from father to daughter.

In spring 2002 , the band took an extended break from the road and retreated to their Dartmoor Studio with long time Equation production guru James Brown. Stage favourites sat alongside newly penned late-night compositions and rapidly a coherent and typically Equationesque album emerged.

An important step for singer Kathryn, 'First Name Terms' offers her first songs written for the band. Feeling most comfortable sat at her antique upright piano, Kathryn planned many a late night session in her cottage kitchen, creating an intimacy that was both inspiring and gracious.

 

Upon 'First Name Terms' US release, songs such as 'Wild Card' and 'Cry Wolf' immediately grabbed the US radio waves all summer long, as well as gaining praise from the ever growing army of stateside fans. Equation look forward to bringing their latest album to fans back in the UK during 2003 with a series of summer festivals and autumn shows.

 

1
Wild Card
 
Roberts/Lakeman
2
Cry Wolf
 
Roberts/Lakeman/Brown
3
Rise Up And Deny
   
Roberts/Lakeman/Brown
4
Clare
   
Roberts/Lakeman/Brown
5
SpeakYour Thoughts
 
Roberts/Lakeman
6
Full Speed
   
Roberts/Lakeman
7
For Carrie
   
Roberts/Lakeman
8
The End Of May
   
Roberts/Lakeman
9
Drowning Man
   
Lakeman
10
Coming Around Again
   
Roberts/Lakeman
11
Jack and Suzanne
 
Hughes/Lakeman/Brown
12
Lost All Feeling
   
Roberts/Lakeman/Brown
 

Produced and mixed by James Brown

Recorded at The Firs, West Park , The Piano Kitchen

Photography by Colin 'Shep' Sheppard, Sam Lakeman

Cover Design by James Crocker and Bradley Waters

Equation:
Kathryn Roberts
Vocals, Woodwind, Piano
Sean Lakeman
Guitars
Darren Edwards
Bass
Iain Goodall
Drums, Percussion
James Crocker
Guitar, Banjo, Slide
   
Guest Musicians:
Seth Lakeman
Violin, Vocals
Sam Lakeman
Organ, Keyboards
Cara Dillon
Backing Vocals
Hannah Power
Backing Vocals
Geoff Lakeman
Backing Vocals
Reggie Brown
Piano,Vocals, Keyboards
The Dark Ages E.P.
On August 1st 2001 Equation released a limited edition EP of traditional English song performed in their own unique style. Themes of seduction, bewitchment, and death sit alongside tales of lost love and betrayal on the disc entitled The Dark Ages EP. Equation take great delight in introducing these ancient songs to new and sometimes unsuspecting audiences.
Lead singer Kathryn Roberts said "A song like Cuckoo's Nest became a crowd favourite on our last US tour,so many people asked us to record it which came as a shock as we only played the song as a bit of fun…and a tribute to our folk-rock forefathers.Given the brazen subject matter of the song I can see why it has touched so many people.
We have wanted to record something exclusively folk-rock for some time, but in the end we all felt that a full album would probably be a hard mission to undertake, (the subject matter of most English folk songs being so depressing that we feared for our moral well being!)"
1
Sailor Boy
   
Trad, arr. Equation
2
Lord Gregory
Trad, arr. Equation
3
Cuckoo's Nest
Trad, arr. Equation
4
Lovely Nancy
   
Trad, arr. Equation
5
A Drummer Won My Love
   
Trad/Ashley Hutchins, arranged Equation
Bonus Track
Gereord
James Crocker
   
 

Equation:

Produced by Equation

Recorded at The Firs, Devon
Kathryn Roberts
Vocals, Piano, Clarinet
Sean Lakeman
Guitar
Darren Edwards
Bass
Iain Goodall
Drums, Percussion
James Crocker
Guitar
   
Guest Musicians:
Sam Lakeman
Keyboards
Seth Lakeman
Violin and Backing Vocals
The Lucky Few
Equation's second album of new material was released in the UK on November 15, 1999 on new London Based indie label 'Blackburst'.Called 'The Lucky Few' it was co-produced by young and upcoming London-based maverick James Brown (Neil Finn, Jeff Beck, Pet Shop Boys, The Genies) along with legendary seventies producer/engineer John Wood (Nick Drake, Fairport Convention, John Martyn, Pink Floyd).
The record is influenced more by the band's live sound than the folk-tinged, muli-tracked 'Hazy Days' and includes such stage favourites as folk-rocker 'Mother and Child', acoustic ballad 'Too Much to Say' along with new studio based compositions such as 'Paper Bag' and the epic 'Prize'.
Recorded after a long period on the road the band was tighter than it had ever been when it entered the studio. A concious effort was made to capture some of the live energy that was apparent in Equation's stage shows. Many new influences were creeping in, not to mention the odd new guitar or box of tricks here and there.
Late-night wine fuelled sessions became the norm and the results were fruitful. There were no deadlines from the record company, and when the masters were delivered there were beaming smiles all around.
Once again David Hughes was put in complete control of the album art-work. He came down to Devon where he spent several days following the band with a sketch pad, several stills cameras and a Video camera..He then retreated back to Manchester and soon emerged with more art-work than the Victoria and Albert Museum.

He and his buddies at design company 'The Chase' put together a CD package that knocked the band and record company sideways (including a wonderful cartoon of band cat 'Scoop' who at the time had reached the grand old age of 21 human years!!!-84 cat birthdays.....we think).

1
Not The Man
Sean Lakeman
2
Mother and Child
Trad, arranged Equation
3
Paper Bag
   
Sean Lakeman
4
Autumn Tune
Sean Lakeman
5
Too Much to Say
   
Seth Lakeman
6
Picture the Change
Seth Lakeman
7
The Prize
   
Seth Lakeman
8
No Change Likely
   
Sean Lakeman
9
Sheffield Park
   
Trad, arranged Equation
10
Hard Underground
   
Seth Lakeman / Steve Redman
11
A Better View
Seth Lakeman
12
Squeeze and Hide
   
Sean Lakeman
           

Produced by James Brown and Equation. Initial production by John Wood and Equation.

Recorded at Chipping Norton Studios-Oxfordshire, RAK-London, The Firs-Devon. Assisted by Stuart, Boris and Lincoln Biscuits.Mixed by James Brown with Equation at Matrix Studios-London

UK version Mastered at Hilton Grove-London by Dave Blackman.
US version Mastered at The Lodge-New York City by Emily B. Lazar

Cover artwork and design by David Hughes-layout by The Chase.
Equation:
Kathryn Roberts
Vocals, Piano
Sean Lakeman
Guitars
Seth Lakeman
Violin, Vocals, Mandolin
Darren Edwards
Bass
Iain Goodall
Drums, Percussion
James Crocker
Guitar
   
Guest Musicians:
Sam Lakeman
Piano, Keyboards
Geoff Lakeman & Steve Redman
Backing Vocals
Reggie Brown
Piano
Hazy Daze
1998 saw WEA release Equation's critically acclaimed debut album 'Hazy Daze', recorded with Dublin-based producer Paul Barrett (U2, Hothouse Flowers, Sinead O'Connor, Luka Bloom, Carole King). Paul flew from Dublin to meet with the band in Devon. Keen to work on the project he agreed to move to the wilds of Dartmoor for 3 months, (quite a culture shock for a guy used to hanging in hip bars with the likes of Bono and Edge).

Taking in influences as diverse as Fairport Convention, Fleetwood Mac, and the Cranberries, Hazy Daze collects 11 original compositions embodying highlights like the bitter-sweet Kissing Crime, dreamy My World and the moving ballad Choose your Moves.

It was a real thrill for the group to meet and play with British guitar legend Andy Fairweather-Lowe (who plays additional electric guitar on 'Sister' and 'Kissing Crime'). He entertained the band on those cold Dartmoor nights with his stories of the 'Clapton band'.

The version of 'Sad the girl', that appears on 'Hazy Daze' was featured in the movie soundtrack of the Hollywood Blockbuster 'The Matchmaker'.
The track listing from the US release of 'Hazy Daze' differs to that of the UK version. A dictatorial CEO exchanged the live favourite 'Clueless' with 'Strange Love' (A song which featured on the then un-released first Equation recording 'Return to Me'. He also shuffled the track listing of the album (without consultation), too load the top of the album with radio singles. 'Kissing Crime' went on to become a radio hit for the band in the US.

The art-work for 'Hazy Daze' won several awards including the prestigious 'Golden Pencil'????. World renowned artist David Hughes, from Manchester England had only ever drawn one album cover before, for Scots folk legend Hamish Imlach (way back in the 70's). David is best known for designing book covers, Opera sets, cartoons for major magazines and advertising campaigns for the likes of Nike and American Express. Equation were particularly taken with his characature of Sly Stallone. The Hughes familly have become some of the most valued fans of the band and great personal friends. There was no hesitation in asking him to take full conrol of all artwork for their next recording.

1
Safe and Sound
   
Sean Lakeman
2
My World
   
Sean Lakeman
3
Sister
   
Seth Lakeman
4
What did you do today?
   
Sean Lakeman
5
Kissing Crime
Sean Lakeman
6
Communion
Sean Lakeman
7
Ataxia
Sean Lakeman
8
Sad the Girl
Sean Lakeman
9
Clueless
   
Sean Lakeman
10
Choose your moves
   
Sean Lakeman
11
Myself
   
Seth Lakeman
           
Produced and mixed by Paul Barrett (courtesy of S.T.S Dublin) and Equation, except track 10 produced by Equation and tracks 3&5 mixed by Pete Woodroffe and Equation, assisted by Ian Huffam..
Recorded and mixed at The Firs, Devon, except tracks 3&5 mixed at Orinoco, London.
Cover artwork and design by David Hughes, Layout by Toorkwaz

Mastered by Ian Cooper at Metropolis, London UK - US version mastered by Emilly Lazar at the Lodge NYC.

Equation:
Kathryn Roberts
Vocals, Piano, Woodwind
Sean Lakeman
Guitars
Seth Lakeman
Violins, Vocals, Mandolin
Darren Edwards
Bass
Iain Goodall
Drums, Percussion
   
Guest Musicians:
Andy Fairweather-Lowe
Electric guitar
Paul Barrett
Hammond organ

Return To Me

'Return To Me' is Equation's long delayed debut recording. It was made in 1995/96 at a number of recording studios around England. Produced by David Bottrill (Peter Gabriel / King Crimson / Tool / Afro Celt Sound System), it marks the first real fusion of Equation mixing their traditional musical roots with increasing pop / rock influences. It is also features the first ever songs written by members of the group. The band feel that this record is a vital link towards fully understanding the musical development of Equation from their early days and all involved are delighted that it receiveda well deserved release in the Spring of 2003.

The album was shelved by the CEO of the record company days before it's scheduled release date. He cited a lack of possible chart singles, (even though throughout the recording process there was no mention that this young evolving folk group should be taking on the likes of the Back-street Boys or Madonna).
A single from 'Return to Me' was released by WEA: 'He Loves Me' came out in May 1996. A video was also shot which appeared on MTV, VH1 and the usual pop shows. The band also played a live 'unplugged' session for VH1 on which they performed the single as well as 'Strange Love'. (They have fond memories of this appearance as they got to meet the Spice-Girls in make-up!! swoon...).

The B-sides to the 'He Loves Me' single were : '7 wonders' (a re-recorded version of the Tim Wood song first featured on the original Equation EP 'In session'), and a Real World demo version of 'Sad the Girl'.

1
He Loves Me
Dougie McClean
2
Golden Bird
Trad. Arr Equation.
3
Strange Love
Sean Lakeman / Steve Redman
4
Cloths Of Heaven
   
W.B.Yeats / Trad Arr Equation.
5
Song Of The Well
Anne Briggs
6
Return To Me
October Project
7
Cross The River
   
Tim Wood
8
Let Him Cry
Sean Lakeman / Cara Dillon
10
Sad The Girl
Sean Lakeman
11
Can't Cry Hard Enough
Williams Brothers
12
No Goodbyes
Sean Lakeman
13
Wake Up
   
Sam Lakeman / Cara Dillion
           
Produced and recorded by David Bottrill, except 'He Loves Me' + 'Stange Love' Produced by Geoff Travis recorded by James Brown.

Recorded at Realworld Studios Wiltshire, Loco Studios Wales, RAK Studios London, Sarm West Studios London, The Firs.
Recording Assisted by Russ Kearney, James Brown, Mark Lee, Jody and Graham.

All Tracks Mixed by Daivid Bottrill at Real World studios except 'He Loves Me' mixed by Julian Mendelssohn and Sean Lakeman at Metropolis Studios, London, and 'Strange Love' Mixed by Julian Mendelssohn and Sean Lakeman at Sarm West studios London.
Mastered by Ian Cooper at Metropolis, London.
Equation:
Cara Dillon
Vocals , Low Whistle
Kathryn Roberts
Vocals
Sean Lakeman
Guitars
Sam Lakeman
Piano, Keyboards
Seth Lakeman
Violins, Vocals
Darren Edwards
Bass
Guest Musicians:
Darren Altman
Drums
Roy Dodds
Drums and Percussion
David Bottrill
Percussion

In Session


Recorded live on the afternoon of 25th February 1995 in Silkstone, South Yorkshire, this three track CD was initially produced by the band for promotional purposes. It sold out swiftly after the group's first tour and it was decided not to re-press as plans were already afoot for a full length album.
A reviewer for the America`s "Sing Out" magazine wrote:

"The arrangements and instrumentation are crisp and powerful.....I anticipate with glee a full length recording from this ensemble."
1
Seven Wonders
 
Tim Wood
2
Lovely Willie
 
Traditional
3
Boardy's Set
     
Traditional/Seth Lakeman
           
   
Equation:

Produced by Equation

Recorded at Silkstone Recording Complex

Mixed by the Hitsmiths at Redwood Recordings, Manchester.

Kate Rusby
Vocals, Fiddle
Kathryn Roberts Vocals, Piano, Keyboards
Sean Lakeman Guitar
Sam Lakeman Piano, Keyboards
Seth Lakeman Violin