|
To jump directly to a recording use these shortcuts:
|
|
REVIEWS
|
|
`They wed their hard - earned grasp
of folk, blues and jazz with a mainstream sensibility that results
in tracks with the delicacy of Pentangle harnessed to the pop suss
of Fleetwood Mac.`
Mojo Magazine, UK
|
|
`Real critical credibility can only
be garnered by singling out complete newcomers for greatness.
Equation fall firmly into that category`
`Equation`s Hazy Daze
[is] an arresting blend of lyrical deftness, folksy instrumentation
and haunting melodies which brings to mind The Cranberries and even
Fairport Convention, but Equation are possessed of a distinctive
sound which deserves a wider audience`
Sunday Express,
UK
|
|
`Elegant and crafted`
Q Magazine, UK
|
|
`There is a freshness about Equation`s
debut that recalls the golden era of the classic Sandy Denny /Richard
Thompson line-up.`
The Times, London
|
|
`Songs like `Sister` and `Clueless`
make your stereo feel special and wanted`
Time Out, UK
|
|
`If you`re looking to plug into
music`s next big thing, Equation is the place to start`
What`s On, UK
|
|
`Equation look set to be bigger
than the Cranberries`
Elle Magazine, UK
|
|
`Equation have opened a door on
quality listening. Step inside`
T. Times, UK
|
|
`They`re young, they`re beautiful
and you get the feeling that if they didn`t exist the music world
would have to invent them`
Rock `n` Reel, UK
|
|
`If you like the Cranberries,
but think that - after the success of Zombie - Dolores O`Riordan
descended into annoying self parody, then Equation are the band
for you`.
Sunday Times, UK
|
|
`Primed as crossover
artists, Hazy Daze shows Equation are hideously well adjusted. The
band`s appeal is a long term one, not built, as many are on the
fickle sands of pop fashion`
The Big Issue,
UK
|
|
`Bright, tuneful, intelligent and
soulful.............a sound that recalls early REM, The Cranberries
and Fairport Convention`
Acoustic Guitar, San Fransisco
|
|
`The group`s casual virtuosity and
beautifully constructed songs are a joy to hear....a winning debut.....highly
recommended`
allmusic.com
|
|
..... a musical style that`s fresh,
tasty and mouth watering......a delicacy that you`ll be serving
again and again`
Crossroads, USA
|
`This CD is filled with lyrical,
well-crafted songs that have earned them comparisons to Indigo
Girls and Fleetwood Mac.....they are impressive!`
The Connection
Magazine, USA
|
|
"Proudly wearing the apparent
influence of such diverse bands as 10,000 Maniacs, Fleetwood Mac
and the Cranberries, "The Lucky Few" shows the Devon,
England-based band sharpening the deft, evocative songwriting skills
displayed on its critically lauded 1998 debut, "Hazy Daze".
If you were among the fortunate to catch the band on its brief concert
trek two years ago, then you will delight in the fact that "The
Lucky Few" carries the more stark, fluid tone of the act`s
live sound.
If you haven`t been exposed to this fine band yet, then you will
be drawn immediately into its poetic fold. The set-opening "Not
The Man" is particularly potent, with its jittery rock guitars
and front woman Kathryn Roberts` smoky, quietly assertive vocals.
From there the listener is taken on a journey into lush pop ("Too
Much To Say"), introspective folk-rock ("Sheffield Park")
and radio-ready balladry ("Autumn Tune").
A tasty feast for listeners craving music that requires a sharp
mind and an open heart."
Billboard Magazine, USA
|
|
"This West Country folk-pop
combo are direct descendants of Fairport Convention but instil a
very `90s take on traditional rustic noodlings. At times they sound
as if they might have come straight out of Tennessee`s Smoky Mountains
and lead singer Kathryn Roberts has more than a hint of the very
delightful Nathalie Merchant. Top tracks include Not The Man and
the excellent Picture The Change. Get lucky punks."
The Daily Mirror
London
|
|
"Impressive"
MOJO Magazine
|
|
"New album The Lucky Few sees
The Prize, Too Much To Say and especially the poppy Picture The
Change continue along Hazy Daze`s rootsy Fleetwood Mac path, upping
the electric guitar punch for Not The Man and No Change Likely while
the likes of Sheffield Park, Mother and Child and the fiddle dominated
Squeeze + Hide reclaim an air of their tradfolk origins.....they
deserve to speed down the fast lane".
What`s On magazine, UK
|
|
".........from the opening
urgent riffs of the first track Not The Man this drum and guitar
- driven belter sets the standard of what is to follow. The artistic
alchemy of the band sizzles this is folk roots to rock with attitude.
Breezy originality that seems richer each time you listen.......It
may be mathematically impossible but when it comes to marking the
delights of The Lucky Few it deserves eleven out of ten."
T-Times, UK
|
|
"The Lucky Few, instantly appealing,
gets better on repeated aquaintance.....Too Much To Say, with it`s
glorious hookline, is only one of three or four tracks hinting at
chart potential."
Daily Telegraph, London, UK
|
|
"The opening
track Not The Man weighs in with a heavier sound than anything on
the first CD, awash with harmonies and driving rhythm guitar it
brings Equation close to a sound that`s somewhere between the Fairports
and Richard Thompson.
The Prize is recognisable from live performance and the recorded
version with vocals weaving in out of each other, subtle harmonies
and Kathryn in "breathy" mode is like a Hazy Daze track
but there`s more `flesh on the bone`.It`s probably Seth helping
out on vocals on Picture The Change, with some neat tempo changes
and No Change Likely that gets them to their heavier sound evident
at the gig at the Amphitheatre, South Shields recently, again using
that gritty, grinding rhythm guitar as on Not The Man with a very
tasteful, simple solo. Sheffield Park went down a storm at the Amphitheatre
and the song switches Equation into a more traditional mode. This
is carried through to the beautiful ballad Hard Underground.
A Better View brings
back electricity, it`s got an almost `country` sound and is the
only track where Sean and Seth really let loose.All in all The Lucky
Few is an album you can stick on your player and you won`t have
to bother pressing the remote to skip any tracks, take a relaxing
hour out of your life and listen to a band who, not only on this
evidence but also their live performances, are about as good as
it gets in the world of English folk/celtic/rock crossover music.
It`s a real contender. Get them on Jools Holland and they`re made."
Get Rhythm magazine,
UK
|
|
"Beautifully crafted
and exquisitely executed The Lucky Few is a fresh, uplifting, quality
album in stunning designer packaging.
While the folk-rootsy vibe permeates all eleven tracks, this is
a wonderfully diverse collection of songs giving a real taste of
Equation's great live sound.
There are delightful
airy love songs, like the melodic Autumn Tune and Paper Bag, which
are about the bands love affair with Devon. Picture The Change and
Too Much Too Say are powerful punchy pop tracks in the Fleetwood
Mac/Corrs vein. The electric guitar - lead opener Not The Man, is
really quite rocky, while A Better View has a Little Feat, West
Coat vibe.Equation are fast gaining a reputation as the most exciting
and accomplished pop-folk crossover band in the land and will soon
be a name on everybody's lips".
Western Evening Herald, UK
|
|
|
|
Time spent in the US over the past few
years has had a discernible influence on the song-writing offered
within Equation's latest studio album, First Name Terms.
Many long hours travelling and listening to the diverse radio stations
America has to offer has infused our 12 new original songs with a
peculiarly, uniquely West of England - style Americana!
From the ghostly life-story of 'Clare', to a classic tale of revenge
in 'Jack and Suzanne ', each song tells it's own neat story. The tracks
hurtle from the acid-bluegrass romp that is 'Full Speed', to the warm,
intimate front-room ambience of 'For Carrie ', the words of which
offer gentle reassurance from father to daughter. |
|
|
|
In spring 2002 , the band took an extended break
from the road and retreated to their Dartmoor Studio with long time
Equation production guru James Brown. Stage favourites sat alongside
newly penned late-night compositions and rapidly a coherent and
typically Equationesque album emerged.
An important step for singer Kathryn, 'First Name
Terms' offers her first songs written for the band. Feeling most
comfortable sat at her antique upright piano, Kathryn planned many
a late night session in her cottage kitchen, creating an intimacy
that was both inspiring and gracious.
|
|
Upon 'First Name Terms' US release, songs such as
'Wild Card' and 'Cry Wolf' immediately grabbed the US radio waves
all summer long, as well as gaining praise from the ever growing
army of stateside fans. Equation look forward to bringing their
latest album to fans back in the UK during 2003 with a series
of summer festivals and autumn shows.
|
 |
|
|
|
1
|
Wild Card
|
 |
|
 |
Roberts/Lakeman
|
|
2
|
Cry Wolf
|
 |
|
 |
Roberts/Lakeman/Brown
|
|
3
|
Rise Up And Deny
|
|
|
 |
Roberts/Lakeman/Brown
|
|
4
|
Clare
|
|
|
 |
Roberts/Lakeman/Brown
|
|
5
|
SpeakYour Thoughts
|
 |
|
 |
Roberts/Lakeman
|
|
6
|
Full Speed
|
|
|
 |
Roberts/Lakeman
|
|
7
|
For Carrie
|
|
|
 |
Roberts/Lakeman
|
|
8
|
The End Of May
|
|
|
 |
Roberts/Lakeman
|
|
9
|
Drowning Man
|
|
|
 |
Lakeman
|
|
10
|
Coming Around Again
|
|
|
 |
Roberts/Lakeman
|
|
11
|
Jack and Suzanne
|
 |
|
 |
Hughes/Lakeman/Brown
|
|
12
|
Lost All Feeling
|
|
|
 |
Roberts/Lakeman/Brown
|
| |
|
Produced and mixed by James Brown
Recorded at The Firs, West Park , The Piano Kitchen
Photography by Colin 'Shep' Sheppard, Sam Lakeman
Cover Design by James Crocker and Bradley Waters
|
Equation:
|
| Kathryn
Roberts |
Vocals, Woodwind, Piano
|
| Sean
Lakeman |
Guitars
|
| Darren
Edwards |
Bass
|
| Iain
Goodall |
Drums, Percussion
|
| James
Crocker |
Guitar, Banjo, Slide
|
| |
|
|
Guest Musicians:
|
| Seth
Lakeman |
Violin, Vocals
|
| Sam
Lakeman |
Organ, Keyboards
|
| Cara
Dillon |
Backing Vocals
|
| Hannah
Power |
Backing Vocals
|
| Geoff
Lakeman |
Backing Vocals
|
| Reggie
Brown |
Piano,Vocals, Keyboards
|
|
|
|
On August 1st 2001 Equation released a limited
edition EP of traditional English song performed in their own unique
style. Themes of seduction, bewitchment, and death sit alongside
tales of lost love and betrayal on the disc entitled The Dark
Ages EP. Equation take great delight in introducing these ancient
songs to new and sometimes unsuspecting audiences.
|
|
 |
Lead singer Kathryn Roberts said "A song like
Cuckoo's Nest became a crowd favourite on our last US tour,so
many people asked us to record it which came as a shock as we only
played the song as a bit of fun
and a tribute to our folk-rock
forefathers.Given the brazen subject matter of the song I can see
why it has touched so many people.
|
| We have wanted to record something exclusively
folk-rock for some time, but in the end we all felt that a full album
would probably be a hard mission to undertake, (the subject matter
of most English folk songs being so depressing that we feared for
our moral well being!)" |
|
1
|
Sailor Boy
|
|
|
 |
Trad, arr. Equation
|
|
2
|
Lord Gregory
|
 |
 |
 |
Trad, arr. Equation
|
|
3
|
Cuckoo's Nest
|
 |
 |
 |
Trad, arr. Equation
|
|
4
|
Lovely Nancy
|
|
|
 |
Trad, arr. Equation
|
|
5
|
A Drummer Won My Love
|
|
|
 |
Trad/Ashley Hutchins, arranged Equation
|
|
Bonus Track
|
Gereord
|
 |
 |
|
James Crocker
|
| |
|
|
| |
Equation:
|
|
Produced by Equation
Recorded at The Firs, Devon
|
Kathryn
Roberts
|
Vocals, Piano, Clarinet
|
| Sean
Lakeman |
Guitar
|
| Darren
Edwards |
Bass
|
| Iain
Goodall |
Drums, Percussion
|
| James
Crocker |
Guitar
|
| |
|
|
Guest Musicians:
|
| Sam
Lakeman |
Keyboards
|
| Seth
Lakeman |
Violin and Backing Vocals
|
|
|
| Equation's second album of new material
was released in the UK on November 15, 1999 on new London Based indie
label 'Blackburst'.Called 'The Lucky Few' it was co-produced
by young and upcoming London-based maverick James Brown (Neil Finn,
Jeff Beck, Pet Shop Boys, The Genies) along with legendary seventies
producer/engineer John Wood (Nick Drake, Fairport Convention, John
Martyn, Pink Floyd). |
|
|
|
The record is influenced more by the band's live
sound than the folk-tinged, muli-tracked 'Hazy Days' and
includes such stage favourites as folk-rocker 'Mother and Child',
acoustic ballad 'Too Much to Say' along with new studio based compositions
such as 'Paper Bag' and the epic 'Prize'.
|
| Recorded after a long period
on the road the band was tighter than it had ever been when it entered
the studio. A concious effort was made to capture some of the live
energy that was apparent in Equation's stage shows. Many new influences
were creeping in, not to mention the odd new guitar or box of tricks
here and there. |
|
| Late-night wine fuelled
sessions became the norm and the results were fruitful. There were
no deadlines from the record company, and when the masters were delivered
there were beaming smiles all around. |
 |
Once again David Hughes
was put in complete control of the album art-work. He came down to
Devon where he spent several days following the band with a sketch
pad, several stills cameras and a Video camera..He then retreated
back to Manchester and soon emerged with more art-work than the Victoria
and Albert Museum. |
|
He and his buddies at design company 'The Chase'
put together a CD package that knocked the band and record company
sideways (including a wonderful cartoon of band cat 'Scoop' who
at the time had reached the grand old age of 21 human years!!!-84
cat birthdays.....we think).
|
|
1
|
Not The Man
|
 |
 |
 |
Sean Lakeman
|
|
2
|
Mother and Child
|
 |
 |
 |
Trad, arranged Equation
|
|
3
|
Paper Bag
|
|
|
 |
Sean Lakeman
|
|
4
|
Autumn Tune
|
 |
 |
 |
Sean Lakeman
|
|
5
|
Too Much to Say
|
|
|
 |
Seth Lakeman
|
|
6
|
Picture the Change
|
 |
 |
 |
Seth Lakeman
|
|
7
|
The Prize
|
|
|
 |
Seth Lakeman
|
|
8
|
No Change Likely
|
|
|
 |
Sean Lakeman
|
|
9
|
Sheffield Park
|
|
|
 |
Trad, arranged Equation
|
|
10
|
Hard Underground
|
|
|
 |
Seth Lakeman / Steve Redman
|
|
11
|
A Better View
|
 |
 |
 |
Seth Lakeman
|
|
12
|
Squeeze and Hide
|
|
|
 |
Sean Lakeman
|
| |
|
|
|
|
|
|
Produced by James Brown and Equation. Initial production
by John Wood and Equation.
Recorded at Chipping Norton Studios-Oxfordshire,
RAK-London, The Firs-Devon. Assisted by Stuart, Boris and Lincoln
Biscuits.Mixed by James Brown with Equation at Matrix Studios-London
UK version Mastered at Hilton Grove-London by Dave
Blackman.
US version Mastered at The Lodge-New York City by Emily B. Lazar
Cover artwork and design by David Hughes-layout
by The Chase.
|
Equation:
|
| Kathryn
Roberts |
Vocals, Piano
|
| Sean
Lakeman |
Guitars
|
| Seth
Lakeman |
Violin, Vocals, Mandolin
|
| Darren
Edwards |
Bass
|
| Iain
Goodall |
Drums, Percussion
|
| James
Crocker |
Guitar
|
| |
|
|
Guest Musicians:
|
| Sam
Lakeman |
Piano, Keyboards
|
| Geoff
Lakeman & Steve Redman |
Backing Vocals
|
| Reggie
Brown |
Piano
|
|
|
|
1998 saw WEA release Equation's critically acclaimed
debut album 'Hazy Daze', recorded with Dublin-based producer
Paul Barrett (U2, Hothouse Flowers, Sinead O'Connor, Luka Bloom,
Carole King). Paul flew from Dublin to meet with the band in Devon.
Keen to work on the project he agreed to move to the wilds of Dartmoor
for 3 months, (quite a culture shock for a guy used to hanging in
hip bars with the likes of Bono and Edge).
|
|
 |
Taking in influences as diverse as Fairport Convention,
Fleetwood Mac, and the Cranberries, Hazy Daze collects 11
original compositions embodying highlights like the bitter-sweet
Kissing Crime, dreamy My World and the moving ballad
Choose your Moves.
|
|
It was a real thrill for the group to meet and
play with British guitar legend Andy Fairweather-Lowe (who plays
additional electric guitar on 'Sister' and 'Kissing Crime'). He
entertained the band on those cold Dartmoor nights with his stories
of the 'Clapton band'.
|
|
|
The version of 'Sad the girl', that appears
on 'Hazy Daze' was featured in the movie soundtrack of the Hollywood
Blockbuster 'The Matchmaker'. |
|
| The track listing from the US release of
'Hazy Daze' differs to that of the UK version. A dictatorial CEO exchanged
the live favourite 'Clueless' with 'Strange Love' (A song which featured
on the then un-released first Equation recording 'Return to Me'. He
also shuffled the track listing of the album (without consultation),
too load the top of the album with radio singles. 'Kissing Crime'
went on to become a radio hit for the band in the US. |
The art-work for 'Hazy Daze' won several awards including the
prestigious 'Golden Pencil'????. World renowned artist David Hughes,
from Manchester England had only ever drawn one album cover before,
for Scots folk legend Hamish Imlach (way back in the 70's). David
is best known for designing book covers, Opera sets, cartoons
for major magazines and advertising campaigns for the likes of
Nike and American Express. Equation were particularly taken with
his characature of Sly Stallone. The Hughes familly have become
some of the most valued fans of the band and great personal friends.
There was no hesitation in asking him to take full conrol of all
artwork for their next recording.
|
|
1
|
Safe and Sound
|
|
|
 |
Sean Lakeman
|
|
2
|
My World
|
|
|
 |
Sean Lakeman
|
|
3
|
Sister
|
|
|
 |
Seth Lakeman
|
|
4
|
What did you do today?
|
|
|
 |
Sean Lakeman
|
|
5
|
Kissing Crime
|
 |
 |
 |
Sean Lakeman
|
|
6
|
Communion
|
 |
 |
 |
Sean Lakeman
|
|
7
|
Ataxia
|
 |
 |
 |
Sean Lakeman
|
|
8
|
Sad the Girl
|
 |
 |
 |
Sean Lakeman
|
|
9
|
Clueless
|
|
|
 |
Sean Lakeman
|
|
10
|
Choose your moves
|
|
|
 |
Sean Lakeman
|
|
11
|
Myself
|
|
|
 |
Seth Lakeman
|
| |
|
|
|
|
|
|
Produced and mixed by Paul Barrett
(courtesy of S.T.S Dublin) and Equation, except track 10 produced
by Equation and tracks 3&5 mixed by Pete Woodroffe and Equation,
assisted by Ian Huffam..
Recorded and mixed at The Firs,
Devon, except tracks 3&5 mixed at Orinoco, London.
Cover artwork and design by David
Hughes, Layout by Toorkwaz
Mastered by Ian Cooper at Metropolis,
London UK - US version mastered by Emilly Lazar at the Lodge NYC.
|
Equation:
|
|
Kathryn Roberts
|
Vocals, Piano, Woodwind
|
|
Sean Lakeman
|
Guitars
|
| Seth
Lakeman |
Violins, Vocals, Mandolin
|
| Darren
Edwards |
Bass
|
| Iain
Goodall |
Drums, Percussion
|
| |
|
|
Guest Musicians:
|
| Andy
Fairweather-Lowe |
Electric guitar
|
| Paul
Barrett |
Hammond organ
|
|
|
|
'Return To Me' is Equation's long delayed debut recording. It was
made in 1995/96 at a number of recording studios around England.
Produced by David Bottrill (Peter Gabriel / King Crimson / Tool
/ Afro Celt Sound System), it marks the first real fusion of Equation
mixing their traditional musical roots with increasing pop / rock
influences. It is also features the first ever songs written by
members of the group. The band feel that this record is a vital
link towards fully understanding the musical development of Equation
from their early days and all involved are delighted that it receiveda
well deserved release in the Spring of 2003.
|
|
 |
The album was shelved by the CEO of the record
company days before it's scheduled release date. He cited a lack
of possible chart singles, (even though throughout the recording
process there was no mention that this young evolving folk group
should be taking on the likes of the Back-street Boys or Madonna).
|
| A single from 'Return to Me' was released
by WEA: 'He Loves Me' came out in May 1996. A video was also
shot which appeared on MTV, VH1 and the usual pop shows. The band
also played a live 'unplugged' session for VH1 on which they performed
the single as well as 'Strange Love'. (They have fond memories of
this appearance as they got to meet the Spice-Girls in make-up!! swoon...).
|
|
|
The B-sides to the 'He Loves Me' single were : '7 wonders'
(a re-recorded version of the Tim Wood song first featured on the
original Equation EP 'In session'), and a Real World demo version
of 'Sad the Girl'.
|
|
1
|
He Loves Me
|
 |
 |
 |
Dougie McClean
|
|
2
|
Golden Bird
|
 |
 |
 |
Trad. Arr Equation.
|
|
3
|
Strange Love
|
 |
 |
 |
Sean Lakeman / Steve Redman
|
|
4
|
Cloths Of Heaven
|
|
|
 |
W.B.Yeats / Trad Arr Equation.
|
|
5
|
Song Of The Well
|
 |
 |
 |
Anne Briggs
|
|
6
|
Return To Me
|
 |
 |
 |
October Project
|
|
7
|
Cross The River
|
|
|
 |
Tim Wood
|
|
8
|
Let Him Cry
|
 |
 |
 |
Sean Lakeman / Cara Dillon
|
|
10
|
Sad The Girl
|
 |
 |
 |
Sean Lakeman
|
|
11
|
Can't Cry Hard Enough
|
 |
 |
 |
Williams Brothers
|
|
12
|
No Goodbyes
|
 |
 |
 |
Sean Lakeman
|
|
13
|
Wake Up
|
|
|
 |
Sam Lakeman / Cara Dillion
|
| |
|
|
|
|
|
|
Produced and recorded
by David Bottrill, except 'He Loves Me' + 'Stange Love' Produced
by Geoff Travis recorded by James Brown.
Recorded at Realworld
Studios Wiltshire, Loco Studios Wales, RAK Studios London, Sarm
West Studios London, The Firs.
Recording Assisted
by Russ Kearney, James Brown, Mark Lee, Jody and Graham.
All Tracks Mixed
by Daivid Bottrill at Real World studios except 'He Loves Me' mixed
by Julian Mendelssohn and Sean Lakeman at Metropolis Studios, London,
and 'Strange Love' Mixed by Julian Mendelssohn and Sean Lakeman
at Sarm West studios London.
Mastered by Ian
Cooper at Metropolis, London.
|
Equation:
|
Cara
Dillon
|
Vocals , Low Whistle
|
| Kathryn
Roberts |
Vocals
|
| Sean
Lakeman |
Guitars
|
| Sam
Lakeman |
Piano, Keyboards
|
| Seth
Lakeman |
Violins, Vocals
|
| Darren
Edwards |
Bass
|
|
Guest Musicians:
|
Darren
Altman
|
Drums
|
| Roy
Dodds |
Drums and Percussion
|
| David
Bottrill |
Percussion
|
|
|
|
|

Recorded live on the afternoon of 25th February 1995 in Silkstone,
South Yorkshire, this three track CD was initially produced by the
band for promotional purposes. It sold out swiftly after the group's
first tour and it was decided not to re-press as plans were already
afoot for a full length album. |
A reviewer for
the America`s "Sing Out" magazine wrote:
"The arrangements and instrumentation are crisp and powerful.....I
anticipate with glee a full length recording from this ensemble."
|
 |
|
1
|
Seven Wonders
|
 |
 |
|
Tim Wood
|
|
2
|
Lovely Willie
|
 |
 |
|
Traditional
|
|
3
|
Boardy's Set
|
|
|
|
Traditional/Seth Lakeman
|
| |
|
|
|
|
|
| |
|
Equation:
|
|
Produced by Equation
Recorded at Silkstone Recording
Complex
Mixed by the Hitsmiths at Redwood
Recordings, Manchester.
|
Kate
Rusby
|
Vocals, Fiddle |
| Kathryn
Roberts |
Vocals, Piano,
Keyboards |
| Sean
Lakeman |
Guitar |
| Sam
Lakeman |
Piano, Keyboards |
| Seth
Lakeman |
Violin |
|